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Blue Iris
24″ x 30″
Lititz, Pa. 2015
$900
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Black Iris
24″ x 30″
Lititz, Pa. 2015
$900
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Fashion in the Fifteenth
30″ x 48″
2013, Lititz, Pa
NFS
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Mosca
24″ x 30″
Lititz , Pa. 2015
$800
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Tropical Suspension
30″ x 30″
2013, Lititz, Pa
$1000
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Teapot Serenade
30″ x 30″
2013, Luzerne County College , Pa. Permanent Collection
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Cold Laughter
12″ x 24″
December 2014 , Lititz, Pa.
Private Collection, Dr. W. Clemens Rosenberger
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Gripping Beasts
30″ x 40″
2013, Lititz, Pa.
$1100
Ireland, 2015
- TWILIGHT THATCH 32×32
- LIFE WITHIN THE BRIAR 12 x 32
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ISLAND MEMORY
12 x 32
- EVICTION 20×24
- CLEW BAY 24 x 36
ACRYLIC PAINTINGS ON STRETCHED CANVAS
RECENT WORK
PLEASE NOTE: All of JASON’s recent work is now available online through this web site. Contact Alchemy Studio, Inc. for pricing and availability- all compositions are one-off, shipped pre-paid, insured, additional information upon request.
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TIMELESS IMAGE
Acrylic 16 x40
September 2014 , Lititz, Pa.
$1150
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NIGHT TIDE
Acrylic 24″ x24″
September 2014, Lititz, Pa.
Anderson Collection
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Metal Marsh
Acrylic 15″ x 30″
September 2014, Lititz, Pa.
Collection of Dr. W. Clemen Rosenberger
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CORN STUDY #2 Present
Acrylic 16″ x 48″
July 2014
Triptych
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CORN STUDY #1 Past
Acrylic 16″ x 48″
July 2014
Triptych $1850.00
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CORN STUDY #3 Future
Acrylic 16″ x 48″
August 2014
Triptych
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Dragon Fly
Acrylic 18″ x 24″
August 2014, Lititz, Pa.
Private Collection
Mojo Restaurant
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IRON HORSEMEN
Acrylic 30″ x 48″
July 2014 , Lititz, Pa.
$1600
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MILLSTONE MOON
Acrylic 24″ x 36″
August 2014 , Lititz, Pa.
Collection of Dr. W. Clemen Rosenberger
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TODAY LILY
Acrylic 15″ x 30″
August 2014, Lititz, Pa.
Josh Riggan
Private Collection
ADDITIONAL WORK BY THE ARTIST
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West Coast Improvisation
30 x 36″
Alternative Bed & Breakfast
Charleston, SC
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Singing the Wires
24 x 30″
Private Medical Group Collection
Montego Bay, Jamacia
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Charleston Green
30 x 36″
College of Charleston
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His Garden Memory
24 x 36″
San Francisco, CA
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Sunday Sonata
24 x 36″
Private Collection
Milwaukee, WI
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Failed Diplomacy
24 x 72″ Trip-Tych
Private Collection of Brendan and Katherine Sheehan
Los Angeles
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Terracotta Fall
Gulbenkian Museum of Contemporary Art Portugal
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Taking ones’ Ease
46 x 36″
Private Collection
Countess Von Luinsky
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Sea View Biscaia
30×40″
Portugal
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The Rain Barrel
18×24″
Private Collection
Boynton Beach, FL
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The Humming Tree
Trip-tych
30×45″
Commission
Sausalito, CA
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Cast Iron and Lily Pads
30 x 40″
Private Collection
Artist’s Wife
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Cameo
18 x 36″
Private Collection
Pittsburgh
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Blue Gladiolus
15×30″
Private Collection
Palm Beach
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American Portrait
24 x 24″
Office of President William Clinton
New York
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American Icon
30 x 48″
Private Collection
Seoul, Korea
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A Tribute to Anna
12 X 30″
Private Collection
Florida
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Racing the Sky
24″ X 30″
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Paradise Trio done in 3 panels 12″ X 24″ each
- Father 20″ X 24″
Ceramic Sculpture & Mixed Medium
Florida Atlantic University, at Boca Raton, was an upper division school, this meant that they only offered the last two years of a Bachelors program, and then Masters and P.hd studies. It also was on the ” quarter ” system, dividing the school year into four quarters of 12 weeks each. Jason studied ceramics, working on the wheel with a minimum 15″ tall vase, with walls less then 1/8″ as the final examination piece. He then went on to study ” Kiln Building ” where he learned how to fabricate a gas fired kiln that would reach high fire glaze temperature’s of 2000 to 2300 degrees F. The following ceramic sculptures combine both elements from the wheel and the use of slabs, a machine which was adjustable and could roll out a slab of clay 48″ long and up to 1″ in thickness. The color of the glazes are and indication of the temperature which he fired these at. JASON built his own ” beehive ” kiln which would accommodate nieces standing over 40″ high. Allow us to show you a number of examples of his ceramic sculpture collection, all of which became art gallery items.
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Steel pipe with a concrete base – 18′ height
Permanent collection, Florida Atlantic University, Boca Raton, FL.
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Plaster with Acrylic Patina
Collection of Mr. Stets, Saudi Arabia
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Plaster with Graphite Patina
Collection of Dr. & Mrs. Sutter, New York City
- Talcstone on Wood
Silver Jewelery
A man named Joseph Holland invited JASON to explore the world of silver & gold jewelry using the ” lost wax process.” What this amounted to were a series of steps: First the artist would craft the design in wax, it was then Slowly submerged in a special plaster of Paris poured into a steel pipe about 3″ tall, with both ends open. This was then placed in a small kiln and at temperature the wax would burn away, leaving a negative space within the mold. After curing, the object was placed in a centrifugal force machine and on the other end was a tray where you would carefully melt silver, or gold, when it was ready, the lever was pushed and the metal was literary thrown into the mold. If everything was not perfect, hundred, or thousands of dollars worth of silver or gold would be reduced to beads the size of molecules and scattered throughout the studio.
The art piece was then freed from the plaster, carefully, and then filled and polished until the object looked like a few we are about to show you.
Graphic art and illustration
JASON has always been a highly skilled artist with pen & ink. This method of drawing has given way to various commuter programs, but he still works with pens, India Ink and rulers. This process requires a steady hand to accomplish the drawings you are about to see.
Technical Drawings
The following represent technical drawings by JASON. He used nothing but pen & ink in his work and had never employed any CAD programs during his entire career. To appreciate this, you would have to imagine yourself with a set of rulers and French curves as they were called, and a set of ‘nibs’ or tips for a pen; somewhat of a hybrid quill. The artist, using a dropper, would fill the nib with India ink and then proceed to draw the object at hand. It was as difficult as it sounds and required many years to master. The main advantage to this type of work is JASON could draw details for things that were not loaded into a CAD program. This became his niche. All of his drawings were “one-off”, meaning custom designs; which were appreciated by his high-end clients. Anyone who wanted a unique design would gravitate to ALCHEMY STUDIO INC.